Balancing Act

While subbing in the North Carolina Symphony, I noticed another percussionist's unorthodox method of suspending a cymbal.  Instead of using a conventional stand to hold the instrument while playing, my colleague balanced the cymbal on his finger and performed both rolls and single strikes using his other hand (holding two mallets).  I quickly put this technique into my bag of tricks and have used it many times.

• The cymbal can resonate more freely (no felt pads or plastic sleeve to inhibit vibrations).
• In acoustic settings, you can lift the cymbal higher for better projection (over the heads of those violinists seated in front of you).
• In amplified situations, you can "work the mike"  (bringing the cymbal farther or closer with ease).
• This method allows the audience to "see" the sound better.
• It might mean one less stand in your set-up.

JUST DON'T DROP IT !