PASIC 2013

The Percussive Arts Society International Convention (PASIC 2013) recently took place in Indianapolis, Indiana.   What an inspiring event--thousands of percussionists, an exhibit hall with amazing gear, concerts, clinics, and a great vibe!

I checked out the new Studio Pro tambourine at the Grover Pro Percussion booth at PASIC 2013. YES!!!  German silver jingles in a wooden shell give this instrument a mighty sound.  I am looking forward to adding the Studio Pro to my tambourine arsenal.

For more info: http://groverpro.com/new-studio-pro-headless-tambourine-now-available

At PASIC 2013, the Interactive Drumming Committee sponsored the Rhythm Lounge.  This late-night drum circle allowed participants to play "lower-volume" percussion in a group improv setting.  I had a fun time hosting the Thursday night Rhythm Lounge.

For information on joining the Percussive Arts Society:
www.pas.org

Creating A Percussion Part (Part 2)

Here's my second installment in response to John Homan's recent email (Sept. 9 post):

Transitions between major sections (chorus, verse, bridge, instrumental breaks), key changes, tempo changes, style changes…

• Will playing during the transition help make the transition more solid and secure or muddy the water?

There may be a variety of timbres available on one instrument that I am considering.

• Which timbre(s) best suit this music?

What about the rhythmic “hits?”

Should I 

• play the hits only    or 

• play time through the hits    or 

• play time and accent the hits    or

• steer clear and avoid cluttering?

Logistics affect decisions

• Can I change instruments and make the transition smoothly?
• Where is the musically logical point to make the instrument change?

Okay…I have to end with a very right brain yet very appropriate question?

• What sounds and feels good to play in this song?

      It just might work.