Percussion For Worship (TM) provides information for percussionists, worship leaders, producers, teachers, and anyone desiring to learn about the use of this family of instruments in both contemporary and traditional Christian worship.
Clave patterns serve as rhythmic organizers in several Latin American and African styles of music. There are Bossa Nova, Afro-Cuban 6/8, Rhumba, Son claves and more! One of the more common is the Son clave. This five note pattern can be played in two versions, 3-2 and 2-3.
When playing in the rhythm section, it is crucial to know if a clave-based song is 3-2 or 2-3. This knowledge assists the players in selecting note groupings. Everyone should be playing “in clave.”
One way to determine the clave is to clap the 3-2 version while singing the melody of the song and repeat the melody with the 2-3 version. One of the clave rhythms will probably fit and feel better. (This suggestion comes from the book, Salsa Session by B. Sulsbruck, H. Beck, and W. Hansen.)
Claves may have originated with sailors using pegs from ship masts for musical accompaniment. Traditionally made of rosewood, the bright tone of the claves can cut through some dense musical textures.
Hold the striker clave in your dominant hand (in a loose matched grip). For the stationary clave, curl your fingers of your other hand in towards your palm with the thumb resting against the side of the index finger. You are forming a little echo chamber for the clave to resonate.
Lay the clave over your echo chamber and you are ready to play. Gripping either clave tightly will inhibit vibrations. You will know when the grips are correct when the claves respond with a characteristically resonant tone. Stay loose (grip-wise)…and check back for a post about clave rhythms.
From the early days of his career as Artist in Residence at Coastal Carolina Community College to his present day work as a percussion soloist, clinician, sideman, and entrepreneur, Mark Shelton has created programs and educational services for a variety of ages.
Mark’s experience in contemporary worship percussion is highlighted in the video tutorial series Worship Team Director produced by Gateway Church. Mark writes regularly for the magazines, Worship Musician and Activate.
Mark's compositions are published by Heritage Music Press, HoneyRock, and Per-Mus Publications. A member of the Texas Commission on the Arts Touring Roster, Mark has presented "The Strike, Scrape, & Shake Show" for thousands of students in schools and libraries.
An avid runner, Mark was the overall winner in the 5000 meter run at the 2005 Texas Masters Championships and finished #102 in the 2007 Texas Marathon.
Contact Mark 214-507-6366
markshelton@verizon.net